«LIANOZOVIAN TEXT» IN THE GENRIKH SAPGIR’S POETICAL WORKS: METALITERARY AND INTERMEDIATE ASPECTS

The article examines the specifics of reflecting history and artistic practice Lianozovo non-conformist group in G. Saphir's poetic cycles «The End Beginning» New Lianozovo». peculiarities deployment memoir component, fragments biographies association's participants autobiographical material are determined.To reconstruct elements creative strategies underground representatives–artists writers Saphir applies techniques intermediality metalliterature methods. A number images, landscape sketches, reduced ekphrasis correspond with O.Rabin's minimalist painting «concrete» poetry by Lianozovites reproduce range problems so-called «barrack» literature –social troubles, restrictions freedom a totalitarian country, poor disorderly life, extreme devaluation human ultimately, absurdity existence as whole. uses intertext (E. Kropivnitsky, I. Kholin his own pretexts). author resorts to reconstruction certain methods school such minimalism, «protocol writing», grotesque, absurdism them depicting realities life 90s. At same time, connection concrete is diversified wide traditions –from game poetry, known since ancient times, oberiuts later methodology conceptual performances.The complex multi-layered text created writer kind version memoirs at time reveals characteristic features idiostyle –game poetics, an attitude experiment, metaphysical viewpoint world perception.